The letters in the dark blue ring are the major keys, and the letters in the inner, light blue ring are their relative minor keys. The numbers in the outermost ring tell you how many sharps or flats (black notes) are in each key. The Circle of Fifths is divided up into 12 slices (like a clock face). Right Click and “Save As” How to read it: If you want to skip the part about how the circle is constructed and jump straight to making chord sequences, click here. It can also be used to work out which keys and chord progressions work well with each other. You can use it as a guide for quickly programming in melodies, harmonies, bass lines and chords into your DAW (Digital Audio Workstation) in specific keys. It was further refined in the 1670s by the composer and theorist Nikolai Diletskii. The original concept was drawn-up by the Greek scholar and philosopher Pythagoras in the 6th century B.C, as a way of dissecting musical tuning for all to understand. The Circle of Fifths is a circular diagram that shows the sharps and flats (black notes) in each musical key, and how different keys work in relation to one another (for more info on musical scales and keys, check this post). If you want to quickly find which chords work together, or which notes to use, this little circular diagram can be your best friend… Now we can derive a formula from this pattern of chords.It might sound like an ancient brotherhood of knights, but the “Circle of Fifths” is actually a really useful tool in music composition. So from “B” take the 1st, 3rd and 5th note = B D Fīuild a chord from the 3rd degree of the minor scale “C”Ĭhord from 4th degree is “D”, stacking thirds: D F A = D minorĬhord from 5th degree is “E”, stacking thirds: E G B = E minorĬhord from 6th degree is “F”, stacking thirds: F A C = F majorĬhord from 7th degree is “G”, stacking thirds: G B D = G majorĪ minor, B diminished, C major, D minor, E minor, F major and G major.Īll these chords can be used to create an A minor chord progression. Then we build a chord of the second degree of the minor scale “B”Īgain from the B chord we stack 2 thirds on top of each other. So if you start at “A” you take the 1st note (A) then stack a third (C) and stack another third (E) To build the first chord of the minor scale we stack 2 thirds on top of each other.
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